one more quick design thought (an appreciation):

I was ruminating on a frustration that every designer worth his salt wrestles with from time to time—the need to cram more and more and more stuff into space that just ain't gettin' any bigger. While some folks may like the challenge of shoehorning as much "content" into a given field as possible—mortising like Inca stone masons to fill every nook, every cranny, there are those of us for whom the apex of brilliant design was reached when the Beatles emblazoned the cover of their so-called "white album" with... absolutely nothing. This reminded me of the design aesthetic of a record label I got to know as a DJ at the college radio station a very long time ago—Swiss label, I think, called HatHut—that had a beautiful and distinctive, minimalist style.

The music was generally pretty cool, but it's the album covers (yes, we're talking LPs here) that have stuck with me. They had a single, consistent visual treatment that was disarmingly simple yet elegant and arresting. As I recall, they featured enigmatic black and white photos cropped in unexpected ways (or sometimes no photo at all), with very, very simple typographic arrangements (Helvetica 55, flush left, one color—a straight orange, pale blue, maybe a grey or reversed out of the photo). There was a clear synergy-cum-corollary with the austerity, angularity, and abstraction of the music inside the package ('80s Euro avant-garde jazz and art music). Swiss modernism pushed to the extreme, these designs could very well have come off as naive or unfinished, but the apparent simplicity instead made them so haunting that I remember them well some 20 years later. The utter absence of anything extraneous made these covers so memorable—and in successful marketing communications too, distilling an idea to its essence can lead to greater clarity and even moving communication. Prudent editing is a crucial aspect of the craft — whether we're talking layout and design, copywriting, or any of many other disciplines (i.e. music, painting, literature, architecture). To increase the likelihood of a successful exchange of ideas, it behooves one to know when to say when, and it's our job to know when successful messaging is compromised by "too much stuff."

Anyway, just as the jazz label Blue Note had an iconic look in the '50s and '60s that was emblematic of its times, the HatHut remain for me a gorgeous lot fixed in time. Seek them out at your local record store...on vinyl.

p.s. Turns out they're still around. www.hathut.com.

The Value of Unique Creative

With all the chatter out there vying for our attention — TV, radio, Internet, cell phones, billboards, direct mail, email, tweets, newspaper (for now), magazines, bumper stickers, your kid’s cereal box, the placemat beneath his Happy Meal, advertising space sold on every available inch of…well, just about anything — how does any messaging successfully cut through the din and make an impression?

Part of the challenge of developing quality creative is to not only to deliver salient messaging via appropriate vehicles, but also to do it in a way that is compelling — not just visually arresting and/or alluring, but conceptually resonant and memorable. A strategic marketing plan may be indispensible, but it’s useless without a creative vehicle that not only garners attention, but rewards it.

The Packaging Machinery Manufacturers Institute (PMMI) came to Fixation ready to make a bolder statement with the creative for their annual PACK EXPO trade event. The campaign that we’ve developed this year introduces bold colors (coded by vertical market) to enliven photography, an energetic and contemporary typographic and design sensibility, and a pointed but flexible approach to messaging that, through series of “Because” statements, spells out very specifically and persuasively the issues and concerns of the industry. The look is a significant departure from not just what PMMI has done in the past, but from the way that the industry portrays itself in general. The “Because” approach to copy confers a touch of swagger while conveying important information in a businesslike fashion. Together, they articulate a vision and message that looks and sounds unlike other marketing efforts propagated in the industry.

Zigging when everyone zags may just be the way to get noticed — and perhaps make an important connection — amongst the dizzying information overload. Can giving voice to a unique idea or new expression be a little risky? Sure, but so is the risk of having one’s message un-consumed because it’s ordinary or forgettable. Who can afford to be ignored?

When there’s a lot at stake, the safe option can seem pretty appealing for obvious reasons. And if you’re operating on a recession-hammered budget and can’t afford Hollywood endorsements or elaborate photo shoots on glamorous sets, the challenge becomes even greater and the value of unique creative becomes all the more apparent. Given that there’s really only so much that each of us can process, blending in seldom emerges as the best option. Sometimes it takes a brilliant idea rendered in a fresh and fascinating way to cut through the clutter. 

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Stratey | Design | Interactive